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Mark Oppenheimer's avatar

Thanks for paying attention, and the thoughtful reply. I don't mean to tell other people what to write, but it's interesting that none of my Christian (or syncretic, or whatever) critics dealt with the ways in which Brooks misprised Jewish sources, or traded on certain Jewish stereotypes. My piece was not all, or even mostly, about him "picking a side"; it was about his dealing with Judaism as respectfully as, say, I'd try to deal with any minority tradition I was saying a lot about (queer culture, black culture, etc). I guess I understand why that's not the meat of my argument for Christians; but I was trying to explain why that column was offensive to many /Jews/, and that seems not to have been interesting to many (you included, right?). In a small way, that indifference goes to the heart of my critique of Brooks: he is doing what people do to Jews, which is use our tradition as a prop (in his case on his way to Xy, or something else; in the case of many of my Xian critics, as a way to discuss what interests them more, be it mysticism or syncretism, or whatever).

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John Pistelli's avatar

"Good" because I thought it was intelligently scripted, sympathetically acted, stylish but not overwhelmingly stylized, engaged with present-day problems in a mostly nuanced and honest way. Not because I think its ethos is ethically praiseworthy...but its ethos may be a truth of the present, whether "we" ethically praise it or not, and the film sharply discloses this truth in keeping with its avowed descent from the Ibsenite tell-it-like-it-is realist theater. My proposed ending would have had the effect of calling the ethos more obviously into question.

Sometimes my "we" is a pedagogue's gambit I developed teaching in an art school in the period of high wokeness. I would introduce a text by doing the woke critique myself, as if "we" all obviously agreed about that, and then inviting the students to say something or anything *else* about the text, so that the easiest 2013-Tumblr-level political critique—e.g., you must never fetishize gay tragedy—wouldn't be the first thing out of their mouths.

(I also meant to note that Babygirl and Queer taken together are in accord with the male half of Simon Magnus's answer to the Tiresias question inasmuch as both have a moment where a male character asks his sex partner just to hold him. I'd call that masculonostalgia, both hetero- and homo-, for, if not love, then what "we" might call tenderness.)

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